Listening in

Podcast
Last minute prep before recording in the pink pod at White City Place

What’s it like to be a triplet?

What do teenagers think about 8-year-olds using smartphones, or about online groups that encourage anorexia?

What do young people’s ‘stress monsters’ look like, and how do they keep them in check?

At Exposure we’ve learned about all of these things since we started producing youth-led podcasts. It’s been a lot of fun, especially when you get them into a professional recording studio. So far we’ve been hosted/supported by White City Place, a creative development in west London, and across town at Splice in Shoreditch. Continue reading “Listening in”

My freelancing toolkit

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Sole trader

Freelancing means being your own accountant, new business department, admin assistant, facilities manager and boss all in one day, alongside doing the work you’re actually qualified to do. So you need all the help you can get, and ideally without forking out each time. Every freelancer has their own mix of resources — here’s what works for me:

Facebook

Yep, Facebook is top of my list, thanks to the groups that put you in instant contact with hundreds or thousands of other professionals. Continue reading “My freelancing toolkit”

Selfie stick optional

Seven ways to do better live reporting from events

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Ready to stream

We’re all using social media, so there’s an assumption that anyone can also live tweet from an event. But I don’t think that’s the case, or at least, not without practice. Often conference updates feel a bit bland (so what?), or irrelevant to those who aren’t in the room, or they simply miss out a lot of opportunities.

So I attended the Nonprofit Tech for Good webinar last week on live online reporting, and learned it takes a fair bit of thought to create useful, accurate updates that add to the conversation in the room, and that are valuable long after the conference has finished. Below are some tips: Continue reading “Selfie stick optional”

“It’s done and it sucks”: learning from your last creative project

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From Steal Like an Artist, by Austin Kleon

Before I get into the next project — and before descending too far down the inevitable path of hopelessness/doubt/boredom as illustrated by Austin Kleon — I’m trying to keep in mind the stuff I learned from the last one.

The last project turned into a 40-minute film, ‘Unladylike’, about women and girls who box. It was the first time I’d made a documentary and the first time I’d worked with my two co-filmmakers.

The real lesson was that doing something like that is possible, if you’re prepared to put the hours in. But there were some more specific things I learned — things that could apply to other types of project, too:  Continue reading ““It’s done and it sucks”: learning from your last creative project”

Pirates, purpose, and programming: the business of education

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Photo: ellalarose on Flickr

Talking about the UK education system isn’t very uplifting. Family income and where you live still seem to define how well you’re likely to do at school. In international rankings of reading, maths and science performance among 15- and 16-year-olds, little has improved despite government ambitions to make our schools among the best in the world by 2020. Meanwhile, there’s both a shortage of qualified teachers and a ever-tighter budget squeezes on the schools employing them, with almost two thirds expected to cut one or more teaching posts before September.

But another trend, said Joe Hallgarten, former director of Creative Learning and Development at the Royal Society of Arts — speaking at a recent On Purpose event — is the rise of organisations working outside or with schools. (The Charity Commission for England and Wales, for example, lists some 65,000 registered charities dedicated broadly to young people’s education.) They’re bringing writers and artists and scientists into classrooms. They’re helping kids start a business, or teaching them martial arts or philosophy. And they’re introducing them to modern-world skills like coding — “the new piano lessons”.

Continue reading “Pirates, purpose, and programming: the business of education”

Europe’s hottest hub

IMG_6985aAfter ten years abroad, my friend Débora moved back to her hometown, Lisbon, last year. People there sometimes ask why she came back. Surely there are so many more opportunities abroad?

Sometimes Débora wonders why, too. After Bonn, Leipzig, Brussels, Geneva and London, it’s taking a while to adjust to the laid-back Portuguese attitude to planning, the open-ended work meetings and the buses that don’t turn up. Not to mention eating dinner so late.

It’s not only the reverse culture shock; for many returning to Portugal, there’s also a financial one, in a country where the minimum monthly wage is under EUR 600. Continue reading “Europe’s hottest hub”

Pyjamas optional: microvolunteering

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Wanna work in a warehouse? Check out Fareshare (Photo: Rachel Stanley)

Yesterday, perhaps a little lost among the egg-based puns and the stockpiling of sweet things, was Microvolunteering Day. The occasion itself is fairly new (first celebrated in 2014), but the concept of citizens helping out with bite-sized, commitment-free tasks has been around for some time. Trying to flog Oxfam chocolates to commuters at a Brussels train station back in 2009 is still one of my few experiences of cold-selling (I’ve forgotten how many packs I managed to shift, though I do still remember how to say ‘have a nice evening’ in Flemish). And people have been baking for cake sales or rattling collection tins for decades.

Nowadays, though, new technology and new networks have made helping out more accessible, and more varied, than ever.

Continue reading “Pyjamas optional: microvolunteering”

Write better #3: Build muscle

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Sound advice from Chinese T-shirts

“Very few sentences come out right the first time, or even the third time…. If you find that writing is hard, it’s because it is hard.”

That reassurance is from the late journalist and teacher William Zinsser, whose book ‘On Writing Well’ I just read. It’s an excellent guide, mixing the micro (such as why you should rarely use an exclamation mark; or why most adverbs are unnecessary), the techniques (how to construct a strong opening; how to adapt quotes yet stay true to your interviewee), and the principles (putting your own voice into your writing; homing in on ‘one corner’ of your subject). First published in 1976, it’s bang-on relevant today.

Non-writers often assume that good writers find their work easy, as Zinsser reminds us. They don’t. Continue reading “Write better #3: Build muscle”

Screen-agers

A portable pastime

At a panel discussion last month about young people and technology, the most telling moment came towards the end, when someone in the audience raised her hand. She worked for an organisation that recruits numerous young volunteers, she told us, and one of the questions they always ask at interviews is: “What are your hobbies?”. For the first time not long ago, a 16-year-old girl had responded: “Going on my phone”.

There was a collective, sharp intake of breath among the audience, most of us of generations who remember life before the Internet. We may be just as attached to endless scrolling, and just as afflicted by powernoia as adolescents; but unlike them, we automatically think that’s a bad thing.

Maybe we’re judging too quickly. Continue reading “Screen-agers”